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And an option to delete empty tracks helps you reduce any clutter. You might reorder tracks by dragging and dropping. You can also resize video tracks, expanding anything important for easier viewing, shrinking others to save space. So you’re able to select multiple clips, say, then “Group” them, allowing you to move the entire set around the timeline as a block. And the new PowerDirector 9 timeline makes this far more straightforward than in previous versions.ĭrag a clip this time, for instance, and there are no hidden rules that say it must be placed on the first track, or at the beginning of the timeline: you can drop it anywhere, on any video track, just as you’d expect.Īnd while you can have up to 100 tracks, PowerDirector includes many new management options to help you keep order. Just as in most other video editors, you’ll probably begin your movie-making project by dragging and dropping your media files onto a timeline. Fortunately you can also filter the library by file type, view thumbnails or file details, and sort your media in various ways, so it’s generally easy to keep things in order. It won’t be long before your PowerDirector media library is packed with files, then.
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And image import is mostly restricted to the essentials (GIF, BMP, JPG, TIF, PNG), although version 9 enhances this with support for many RAW formats.Īnd the program can access photos directly from your Flickr account, or you can easily search the site and download anything that suits your needs. The program imports video files in many formats – HD MPEG-2, DVR-MS, DV-AVI, DAT, AVI, MPEG-1, MPEG-2, VOB, VRO, ASF, WMV, WMV-HD, MOV, MOD, TOD, AVCHD (M2T),MPEG-4 AVC (H.264), VOB, VRO with Dolby Digital 5.1ch/2ch, Canon and Nikon’s DSLR Video – with new MKV and FLV input support in this version.Īudio import options are limited, by comparison (MP3, WMA, WAV, M4A).
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The editing process starts by importing your media into PowerDirector 9, then, and there are several ways to make this happen.Ī comprehensive Capture module can capture content directly from DVD, HDV and AVCHD camcorders, along with many other audio and video sources: TV tuner cards, webcams, microphones, CDs, DVDs and more. Five minutes of pointing, clicking, dragging and dropping and most people will understand the PowerDirector basics, and that’s a considerable improvement on most of the competition. Still, the core interface design is so good that this doesn’t really matter, at least initially. You must close the Trim window, press and search for Trim in Help to locate what you need. So if you select a movie, click Trim and press then precisely nothing will happen.
In particular, the program’s Help file is relatively short, and not context-sensitive. Again, tooltips explain each button’s purpose, and you can click anything that looks interesting to find out more. It’s all very straightforward.Īnd if you drag and drop a media file onto the timeline then more buttons appear, each highlighting a common task: “Trim”, “Fix/ Enhance”, “Edit Audio”, and so on. Hmm, could they be the various stages of the editing process? Tooltips confirm this, and a quick click on each button lets you preview these PowerDirector areas. Check above your media files, say, you’ll see four buttons: “Capture”, “Edit”, “Produce” and “Create Disc”. You’re an editing beginner? Just look around.
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If you’ve ever used a Windows video editor then you’ll feel immediately at home. The program appeals immediately with its familiar interface: a collection of media files on the left, preview window to the right, timeline below. Enhanced multithreading capabilities and GPU acceleration speed up many operations, you’ve a flexible 100-track timeline, new effects and templates, a powerful audio editing tool and more. Notably there’s a native 64-bit editor, for instance, allowing the program to take advantage of all your RAM (if you’re running 64-bit Windows).
CyberLink PowerDirector has always been a powerful, yet easy to use and low-cost video editor, and the new PowerDirector 9 Ultra64 improves it still further with a host of major new features and all-important speed improvements. But choosing the right one can can be a problem, because most are expensive, complicated, or both.
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It’s the first law of home movies: no matter how good your camera, or how skilled you are in using it, your first raw footage of any event will generally be poor.Ī good video editor can quickly polish your movie and fix any problems, of course.
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